Lambert's Whole Book Approach challenges librarians to think differently about how they share a picture book in a group setting. It asks adult readers to value the opinions of young listeners and to engage them to become active participants as they try to make meaning of all they see and hear during a shared reading. This volume gives concrete examples and practical tips on how to do a shared reading based on the Whole Book Approach; through a conversational style and clear directions, Lambert offers support for librarians and teachers testing out new ways of engaging young listeners. The author developed this method during her graduate studies in children's literature at Simmons College and while working in the Education Department of the Eric Carle Museum of Picture Book Art. As she points out, the Whole Book Approach method of sharing picture books starts right on the title page-adults share vocabulary information about the various parts of a physical book. Lambert goes on to dedicate individual chapters to "Jackets and Covers," "Endpapers," "Front Matter," "Typography," and "Page Design" and spends a good deal of time on how to foster a child's visual intelligence. The author's storytime anecdotes are funny, touching, and ultimately illuminating, highlighting how this approach can open new avenues to explore with children. VERDICT An essential purchase for any educator wanting to understand and apply the Whole Book Approach in their storytimes, or for those who would like to better understand the various parts and wonders of the picture book as a unique art form.-Renee McGrath, Nassau Library System, Uniondale, NY © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

An in-depth exploration of the author's Whole Book Approach: a way to slow storytime down and consider children's responses to art, design, and other visual elements. Lambert honed her new storytime style while sharing picture books at the Eric Carle Museum of Picture Book Art. She began by using traditional methods but realized that she was representing a museum; she should focus on art and the notion of a book as an art form. Taking cues from the open-ended questions used by the Carle museum's docents, Lambert created a similar approach toward reading with children. With chapters devoted to trim size and orientation, jackets and covers, endpapers, typography, and more, there really is no better way to say it: Lambert delves into the "whole book." Librarians may quake at the thought of inviting so much discussion while reading stories to a large group, but Lambert calms fears with repeated (and adorablesuch as the "heightful tower" of Madeline) examples from her many years of practice. She also shares tips and tricks to regain focus if a group goes awry. Traditionalists' concerns that the integrity of the story might be compromised by many interruptions are unfounded; Lambert rightly stresses that reading both the words and the art are equally important and provides ample evidence of children's increased engagement with the books being shared. Welcome permission to shake things up, with an important acknowledgment of the art form at the core of modern storytimes. (FAQ, sample storytime questions, glossary, further reading, index) (Nonfiction. Adult) Copyright Kirkus Reviews, used with permission.